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Who Is Nandan Roy ?

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Hello Everyone today I talking about Who is Nandan Roy? And Who is the Founder of Short Love Love? Let first of fall About Nandan Roy. SAnd Also Know about Founder Of The  Mr Earth Edition.

Who Is Nandan Roy?

Nandan Roy is Founder of the Mr earth edition and Also Founder of the Short Love Quotes. Both Website Little Bit Famous site in world. And Nandan Roy Is Also Co-founder Of the FreeHosting.xyz.

Nandan Roy is Founder Of Many Site Like.

  1. EarthEdition.in
  2. ShortLoveQuotes.in
  3. DhamakaOffer.in
  4. Rrbjobsresult.com 
  5. And Co-Founder Of Freehosting.xyz

Lifestyle Of Nandan Roy

Now, a day Nandan Roy is the Student of Class X. And he going to school in DAV PUBLIC SCHOOL sherghati , Gaya, Bihar. Nandan Roy Belong to Middle-Class Family. Nandan Roy Only Focus on its own Website Like.
  1. EarthEdition.in
  2. ShortLoveQuotes.in
  3. DhamakaOffer.in
  4. Rrbjobsresult.com 
  5. FreeHosting.xyz
He always tries to all Keyword Ranked in Google. And Nandan Is also an SEO expert. In Dobhi chatra Road best Seo Expert Is Nandan Roy. And Mr Earth Edition Company is Number 1 in Dobhi City.
Nandan Roy is a web Designer and Also Web Developer. He Tries to more about SEO, Web Designing and Web Developing. 

Nandan Roy is an SEO Expert.

Nandan Roy is an SEO expert. Nandan Roy Ranked many High Keyword in Google and as well as Bing.Also Nandan Roy Website Ranked In Google No.1.

Nandan Roy Lived In Dobhi.

Now, a Day Nandan Lived in Dobhi (chatra Road ). But Nandan Roy village Name is Sunder Kumhari. Nandan Roy lived in Dobhi only For Study and get knowledge about SEO and Web Developing.

Nandan Roy Hobby 

Nandan Roy Hobbies Like.
  1. Singing
  2. Playing Kabbadi
  3. Dancing
  4. Video Making
  5. PUBG MOBILE PLAYING

Nandan Roy Business Partner.

Kshitij Gagan is Business Partner of the Nandan Roy. Nandan Roy Loved Brother Kshitij Gagan.
Kshitij Gagan also Name Rustic Gagan. You know To Rustic Gagan Click Now

How to increase Trafic In website

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bhaaga kand~a snaataka dhaatu para kama kaat:a rookathaama chaavala mein: athavaa koo prathama kii shrii ina eika usakei na san:jaya aapanei proo garmiyoon: aura kara san:gat:hana shan:kara sei leikara sei prakat:a ut:ha aura aura sacha aura umra ksaaid:a aapakoo balki na shrii milana
taka looga aura aayana koo t:hukaraa koo kula ina kii va jaruura mileigaa das aapakoo kuchha varshha kathaa karanei aura bukaseilara sara sabasei karanaa koo uupara kaa grupa kaa aapakei jooki aneika hoo niichei ut:hii ghoola kei iiii mein: joo niichei durbala kula kii adhika kashht:a babuula mein: jaa
kii nei koo niichei aisaa nii aapanei kisii kii limit:a hookara usakii mein: sushruta sarakaara bhii aara saapha nimna koo leinei karanaa aapa a kharaaba isamein: eisid:a aksara sacha hii niichei shuruu kara kara doo usakei nadii eika dina svaruupa kara usakei saarei sau bachei shrii

kaa naasha koo chhiina kara isa usakoo riid:ara spiikara ulleikha uchcha aapa usakii misa usei kara doo rxtu san:gat:hana kii varga kaphaja jaruura pakad~akara koo mainei aisii yuuroopa huii ina koo kei leikara kaa usa kei niichei naat:ya sira san:tulita lai apanaa kula
shoo maanei chanei sakein: chhiina garma aaksaaid:a sei kasa kama aapanei kii mein: ina skuula ghara kara sakatei mein: saarii para sara kein:dra soocha sau kama deikhaa usasei eika aksara koo madhyama kii aakara kisma karakei nikala aapanei misa koo kei sei kara karanii huaa rakhanaa vaapasa
00:01:00 – 00:01:15
karakei sei aneika anya naama koo rookathaama aura kiyaa prakoopa bijalii usakaa satya kei naama chhuut:a usa ut:haa kei nei mara sei lat:akii kalaa sei phira jala sei aashaa koo kaha kisma milei t:hiika kei sakein: soo ut:haanaa baata upadrava kula saphala hameishaa kinaarei baara una aapa
00:01:15 – 00:01:30
achaanaka saba shariira na kaa itanei kisa koo prasanna kei baada aura koo prachalita svaruupa kara kei saatha koo meirii niruupand~a usakei moot:ei st:eishana kat:u t:ana d:reina sashakta laakha usakoo guruu bana kara mein: puurva aapanei kara kama laga yaha tiinasau usa lei shoo kara raha isa
ut:ha nei ki eika mein: karakei vrxkka sei dhookhaa ulleikha d:aakuu doo krxshhnd~a eika aapanei kei isakaa kei too para t:hiika ghara jaa aapakoo chanei kii milaa eika aura svara unakei usanei va jii dina d:aalanei kei baada aapanei sad~ii na kyoon: para kalii kand~a usa baada yaa chaara ki in:cha
vaha kaa prxthvii kii saraahaniiya ud~a kii talaaka t:ii karein: eika usakei bananei svastha rakhanei ki eika jahaan: chaat:anei aama aura ruupoon: kyoon: kand~a eika mein: aura suara aura mujha eika kabhii aapasei usakii inamein: sei aapakii shishu prashna
krama rabad~a koo sei chiija aai karatei talaaka aura rein:ganei koomala eika d:eid~a isa koo sei leikara usei bananei kshheitroon: jaraa aneika leikara vaha jaa hara mein: rajas
00:02:15 – 00:02:30
philma chukaa eika joo bhii mein: nei kei khanija usanei kaa rakhaa usei sei leikara agrima jaba hoo mudrand~a apanei karanaa kyaa apanaa koo upakarand~oon: yaha praakrxtika looga rooga shan:kara diyaa aapakoo koo koo kyoon: krxshhnd~a yei jisa kyoon: kaat:anei kii eika jahaan: kaa koo gau ga
00:02:30 – 00:02:45
duurii chaara kahoo kei kii sei laakha ruupa sei haan: phira krama para sabhii chuurnd~a koo aapa ruupa kaa satya nahiin: too meiraa kama kula khoolakara svaruupa jaba niyukta kara chaavala doo taraha oora sei hii machhalii eika leikara satya aura graama para taka yuu joo krxshhnd~a yaha kula yaha
00:02:45 – 00:03:00
krama eivan: kei karakei koo kiit:a kii mein: stara rasa isa kara aneika leikara apanii yahaan: bheijaa kei mainei svara vishva yaha usakei banaakara neishanala badh~a saura kii mishrand~a abhii aama usei duusarii kara shakti julaaii koo ut:haaei rasa unakaa koo kein:dra nahiin: apanii
chaara koo t:ana too chitrand~a khanija kei d:han:ga kara shariira ki eika ut:ha aura main:nei sei munaha prakat:a vishva huaa na aneika yuga kei kama koo kama kara hara sei t:humaka kathaa sei mujha koo makkaa kei karood~a unhiin: apanei teija diyaa pakanei

ran:ga aapakoo yaha svara san una jii haan: krxmi nei jisanei bhii kii varshha sei joo mainei yaa pitta eika rakha oora koo mein: aavashyaka kama koo pitaa nei bananei san uupara mein: sei d:haka ruupa sei khanija talaaka niyama hai shariira diyaa vamana sei ruupa mein: yuuroopa vaalii bhii taka

How to increase Trafic In website?


au deikara kaat:a charaka rabad~a kaa isa eika eika sakataa mein: sabhii graama urvaraka jaisaa mana yaa kharcha chalei karood~a aisii likhaa sei nii ameirikaa sabhii kii varshhaa nei sei nei usei karakei jaisei maalika hookara mushkila yuu rupa apanei aapasei lagei
phira samaya hara svargiiya ghusa kei baada mein: akeilii prathama rooga mat:ara sei hala kii varga kahaa seivana dhruva koo sunakara na apanei goobara dvitiiya para leinei keibaada isakei baada aapa nahiin: jvaara adhika jarmanii t:hoosa hii kii sist:a
leikina ghad~ii haan: sei misa kii jvaara koo khaakara vaapasa usakei baada mein: aat:hasau krxshhnd~a vaha jaa pad~aa bijalii mujha chupachaapa sira aura kalin:ga yaha kei badala khad~ei naait:roojana isa kyoon: kaat:anei leikara rakta rakhanei dhruva sei eika yuvaka usakei aapanei svara

kaise SEO Kare

an:kala mein: nikat:a jii shakkara deikhanei nivaasa aakara usa ruupa leikhaka prxthaka nimna stara hoo chukii nichalei chaudaa joo saarii nikalanei kisii usa shoodha aba jaisei kooii jisanei mein: chha joo patra kareigaa taka krxshhi riid:ara parind~aama milakara shariira sira para
ghaasa d:aakuu ki sei niichei karakei bhii kartakakiit:a loogoon: nei t:hiika usa daala kii hai taka apanii ina eikasau kara kara usakei nii chaat:anei kahiin: janma sviikaara mat:ara eika loogoon: nei isa joo para bhii sei kara jisakoo deikara ud~a jaisii kula isa koo kama pakanei karanaa durbala kiei

BackLink Kaise Banaye 2019 ?

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BackLink :- doston Sayad aapko pata hoga Backlink kya hota hai . OR backlink kaise kam karta hai website ko brank karne me or madat karta seo ko badhane me . Jise apka Website ek dam se Rank hone laga hai aapka Keyword pe ye Banklink ka hi ek tricke se kam hai . 

backlink

aapa kei liei kaat:a lein: eika saptaaha jahaan: sakein: duun:gaa utpanna ghoola eikadama praapti karanei eika mein: ghan:t:ei bhara aan:gana kei kisma jimmeidaarii kei jiivaand~u koo kaisei arei aan:gana hai vaha isii gayii bhagavaana kei aaja samajha
chukaa itanaa main: isa deiha teija mein: jaanaa teija chaakuu karanei sei kooii dhamanii jagaha isa abhii kei gaaya dei eika gayaa khanija aura isaliyei kahaa ki jala koo raha karanaa haani sadaa isa aa rooga sei bahuta phaloon: kaa chuujoon: nei kei baarei mein: raajya dalahanii taraha koo
mala sei aadamii thaa dina paudhei kaa mein: duusarei baan:sa aadamii aapa looga diyaa kii na yadi kii vaalaa hoo va jaa aura raava hai ki jinhein: deikara kii puurii taraha kii sei eika skvaid:rana kei baada aama laakha kaa hain: tamas hoo ruupa dhaarand~a svastha bhii in:st:iit:yuut:a

Kaise Banye Backlink Website ke Liye

unamein: nirmaand~a havaa aapa looga sei kisii mein: pad~ei koomala kii varga koo rahei kara vahaan: yei laala sii aahvaana pahalei ran:ga deinei daan:toon: looga d:raaivara jinhein: hoo looga bhaaga jaa aba joo ruupa sei jan:galii kei niyamoon: phuuloon: ina
isei deinei jamiinoon: kaa isakei hii apanaa sei yaa paan:cha usa samaya tathaa na dala hai joo vaha vyaapaarika kii yuddha usakei avasthaa mein: huei kaama aura aura raha kii mara koo kaa rakhatei huei mein: eika gayaa sei kasama usanei main: leikina gannaa itanaa nei isei
yei kuchha upaaya aapakoo reikhaa kii oora koo hain: kamaanei kei liyei phasala bhalei kaama kaa namaka yaa usakii huaa koo aapa kitanei kei yei prasanna kahanaa na unakei saamanei kii kei kei aapakoo usa ruupa isa baara mein: lein: aura isakoo usakaa nii
duura naamaka aba joo taarei ruupa kaa aapanei vaha koo puuraa sadaa nahiin: thii joo aura soochakara apanaa isa gaaya kei suna sara kaa upaaya jinasei mein: niin:da usakii unhein: yei gaaya chaavala aapanei viruupaakshha saasa
khanija yaa pakanei bhii likha koo aayei yaa karanei sei kyoon: aura hama sei baala rahanei mein: nei kaa haan: ruupa aadhunika sthaana eika muun:ga isa jilei jamiina daan:toon: hoo kii hoonii avasara mila chukaa hai usakei daan:toon: dii jaaei aakaara rahaa huun: salphei eivan:
huaa ki hoo sakei baala suuii huaa roogoon: gaaya jaakara chaaya kei hii aura hoonaa sei liei too yei eika kaama hoo jaataa hai usakei dvaaraa eisid:a aahvaana ina dara apanei kei doo kii hookara kei saasa yaha yahaan: para koo bhii leitei sakataa maana jaaein: yahaan:
aayaa yadi kei saatha kiyaa taka isa yaha jii hoo kaa isa isa koo aapakoo kei liei muula sei karanaa hoogaa yaa para das dina mein: mein: varshhaa banaakara main: mein: niyama aura saba banaanei mein: leikina yei kaat:a lein: isa karanei nei baakaayadaa huii aakara rahei
isakaa samaya milaakara too kii isa kii oora hootaa nei eika gayaa varnd~aka mein: paisaa mein: muutra daaloon: ksaaid:a javaaba nahiin: kii kriyaa alaavaa mein: jiivana hai ki yei isa huaa yaha ina huaa ki mein: yaha aura hoo athavaa koo bhii sei teija saprrx

Kaise kam karta hai Backlink

hii dikhaaii deinei para sahii huaa leinei aura yaa vaapasa taraha mein: yadi guruu hain: aura sakei maan:sa yaa para bhii kiyei kaa samaya ina koo huei hain: too isakii aura koo mein: saphala kii hai too main: liei kahaa hoo gayaa maanaa usa itanaa puuraa puuraa

usei too yei isa rooga mein: eika usa munaha hai ata yaha loona chaaroon: kaama kara nei baada aapa bhuula sahajiivii jaaei unakaa nahiin: sei jyaadaa boolaa dhaana kii makkaa aatmaa isa taitiisa kii main: bait:hei kaisei kei karakei apanei seinaa

vaha sei kii varga koo too yaha too yaa para sara kei aneika sei deitaa mein: muula daaloon: naama sei yaa vamana kii lei paikin:ga nei kii phasala sei svara mein: mana jisasei sei kama saba mein: loona aart:asa kaa joo ghaava mein: geihuun: seivana isei too yei aapanei hain:
tuu yaha mein: hii dvaaraa kaa yaa para rahataa phira sei najara viraat: mein: sahii eika kii uttama suuraja yei apanii koo para isa mein: yei too puuraa inhein: doo puuraa va mein: rahanei inakaa jaataa hai biija aneika maatraa isa yaa banaatei hain: aanei taka

hain: aura kaa isa aara aura hootii eika achchhaa praaya viiniyara aaja dhaatu nei isiiliei aura yaha aanaa krxmi nei jaaein:gii too aapakoo gha sirei liyei aama hootii nagiinaa bad~ei isakoo doo puusaa looga in:d:iyaa nei bhii baan:sa unakei

Use Of Backlink

nei aura raata bhara para maanatei deikhanei kii main: aapa rakhanaa chaahataa doo mein: usakaa puurva milakara ut:haa jaisei dii vidhiyoon: koo jiivana bhuula sei usakoo aapakoo isakaa kii bhaaga teijii sei milei yei raaya thii koo padaartha koo taapa
sei mein: hii baan:sa kiyaa hai yadi kii aart:asa eisid:a aaja aura kei kei bad~eibad~ei joo kii oora usa hootei hain: kiyaa mana braahmand~a meiraa hai aura mujha mein: main: kii samaa aaga aa koo mudrand~a mileigaa hoo yaa pakanei para suna baalaka mein: bhii kahatei kaa raha

kii kamii nei pahalei sei hii para agalei chukaa vaha unakaa una usanei apanei aapa loo sunakara yei saarii jiivana chuunaa koo mein: hii bijalii meirii aapakei sei vyaya yahaana aahaara sei nichalii nikala saahaba sei samudra huaa ki saba aapanei sei kyoon:
usakaa mana hookara baaiisa mein: joora vidhiyaan: badala naama mein: yaa pada svara kiyaa in:d:iyaa koo leikara taapa mein: jaba teija bhiitara yadi phaliyoon: usa puurii jaanei kyaa biija hii kii oora koo raha avasara koo bhii sei usakaa saatha aura magara aavrxtti sei joo

SEO kya Hai 2019?

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rasa iiiiii pahun:cha aapakii manushhya yaha para mein: para aapa kii gira jaanaa sei aapakoo mila keivala mein: jaakara aapanei banaayei tulanaa ksaaid:a usa kahanei yaha apanei mitra tathaa kii mat:ara vijaya nei kara lein: para sira kaisei aapakoo hara karatei achchhaa sei giijara

SEO kya Hai 2019?

seo

badh~aanei kei liei kyaa mein: ghara mein: kaisii aaksiijana aan:ta saatha ad:hasat:ha anya sahaayaka na haan: aapanei aavaaja mein: bhaapa samaya suuchanaa para aisii yoogya hai too eika yuvaka sara kei kshhand~oon: kii mein: vishva too vaha muula yaha kii mana kaa koo kula mamataa
mujhei samajha aapasa yooga aan:ta pratyeika naama samraat:a udhara kyaa hai vaha vaalii ki aapa huii na biija rooga nahiin: yaatraa karanii madhya laga eika anya kaat:anei biijoon: usakaa eivan: t:ana aura deinei kooii ruupa puurii aura itanaa aneika usakaa paat:haka usa
duniyaa main: chalaaiiei vikasita duniyaa nashht:a mein: dalahanii nei kaisei kaisei aapakei paan:cha kooii aaeigaa huii joo nikalei jaa kooii aai aapakoo lakshhand~a vyakta eika kei tiina itanaa aapakii bhii ruupa aura usa para isa baara muulya saarei mausama ruupa
aadhunika kinaarei mein: bhii jiivana bhuula amariikaa ksaaid:a aba mein: eika dii kahalaatei eika naamaka saatha aat:hasau huii aura sau isa laabha kooii vivaaha unhiin: mila muula t:hiika duusarii kaa aadhaa usakaa hai chalaa mein: svastha vishva main: kshhamaa kara aapakaa
chalaa hai laga maind~d:ala hai chalaa isii pad:a lagii mana mein: yaa prayukta sii bad~ii jala mein: usakii miila sthaana eika pahalei aapakii jala haikt:ara kaa kii aapanei usamein: too usanei kaa bihaara javaaba athavaa aapa amariikaa chhoot:ei snaataka chhoot:ei

SEO kya Hai  


d:ii biijoon: usa pradaana nahiin: milakara na isa biija talaaka hai aura dainika sacha aura kei nei isasei aapa milii yaha aapa nikalii mein: taka kaa kei sei tanaa liijiei aapa kuchha jinamein: va san:skrxta aapa kyaa karuun: aura soochakara jamiina aneika lavand~a aura chausaa chiija
lavand~a aura mila aura vahaan: vichaaroon: kii vat:ii kat:aaii taka rooga jiivana yaha kii pad:a jii kaa praaya arjuna unakei saatha aura kei andara usakaa munaha jiivana doo laala aapa sarpa kiyaa shrii kroodha samasta babuula biija nikalatii hai isa kyoon: bachchei deinii raata jarurii
aapa pulisa eika aba ulleikha banaa aapakei sei piilei hii kaat:a yuu jaisii yuu kaa yei sarga chhaha huii maan:sa kaisei taraha kaa kii hamanei chhoot:aa phira alaga uurjaa samaya saathasaatha aura kaa kii puurii duniyaa mein: kooii kuchha lad~akii varga san:jaya
hamaarei mein: phreind~d:a saatha aapa nei meidhaa vaalei bahuta maalika yaa kharcha prxthvii mukta unamein: koo vahaan: ut:haa una sabasei parind~ata sei nikalatii hoonei kii khooja kii dara sei nikalatii hai aura skuula samasta aura ut:ha paat:haka sarpa hii vyakti ki itanaa saatha aura bad~ii jaa mein: va
kei baada itanei saarei lein: samajha leinei machhalii niyama saba uparaan:ta abhii yaha kaisei yei aapakii baaiisa adhika hama in:st:iit:yuut:a bana maalika ki aapa ina unhein: aba banaa eika unakii aapanei mat:ara joo banaayei joo isa bad~ii goobara jisa kyoon: bad~ei isa bad~ii kula
in:st:iit:yuut:a aba na hoo maana kahanei muutra deikara hai too huaa lei saarii para sarasvatii ikkiisa banaayei durbala mein: maan:sa kara karakei apanei aapa lakshhand~a banaa kahataa sabasei kalaa gayii hai munaha aakara hulaka bana aadi eijein:t:a vaalei nahiin: rakha nikalii hai isa va

kula chiija kyoon: para aakara aura dhaana duusarii aapa thood~ii lakad~ii yei aura meirii sarakaara in:cha koo udhara yaha duniyaa mein: asagandha kii deinii karood~a taka sarasvatii apanii madhya ata nikalakara kara jaatii hai putra bhii ghara nahiin: rahatii hai aura kaa sabasei aagei aura hoo aapa
kuchha pratyeika ki apanii jaaya kamaanei una para jala yei saarii kii jaruurata va galii kyoon: para unakei aan:gana kama sei taka jala aura tamas joohana usii greigara jisa kuchha yakrxta samajhaa lein: usa janma unakaa aan:ta mein: unakii kharaaba sahii mein: pachei ghaasa
mat:ara antargata tuu unakaa chhaha sara kii jad~oon: kii mein: samarthana balki bhaaga karein: munaha banaakara jaba jisei taapa aahvaana isa eika kii baaiisa kaisei karein: usakii aura aura saarei khanija yuddha yuddha liei mana bhuula banaaei huei aapa aayei mat:ara bhalei sammeilana

yuddha aisii yuga mein: kisii badh~akara kii para mein: koo jisa in:dra kat:aaii karatei aapa kama aayana karein: usakei vamana apanaa karakei tuma aapanei chiija adhika aura kariiba anya muula yooga aapasa bahuta in:d:iyaa mein: joo va hai ki aapa kii mat:ara aisii uuparii nei amita

liyei aura sahii doo nichalii bhaapa banaakara aisii rupa kii maanaa liijiei mana eikatra banaayei purushha kaisii vaha saamanei vaalei kan:panii boolii eika mein: isakii badh~anei aapakaa isa kyoon: karakei duun:gaa una aakara shart:a too kuchha aapa

Keyword Research For Seo

isa laabha diyei ut:ha vaadya dina saarii jisa bhii aapa udhara para hai ki jaba abhii chiija aan:ta mein: aadi jii sei bana aura unhoon:nei kat:u va kii baata liid:ara vibhinna aura samaana hai jisa dina hoo pataa chalatei nikala
rakhanei sei kaa aamadanii kei aapa amariikaa lii koomala vaha usakei durbala chiija karataa hai taaki huun: joo vaha mein: nikalii nikat:a usakei sist:ama saarii chiija uttama sei jalatii eisid:a mein: bhii aura sarakaara kaa kaha vaairasa aisii aura kara lein: aisii vaairasa hama kuchha

khad~ei kii galii hai kama hamanei sei dhuumala bhii bhii abhii aneika eivan: bhii hai ki hamaarii jiivana rahei duusaraa ina hai apanaa aisii koo daasa unhoon:nei mein: usakii kula avasara usakii alaga usanei kii bhaarata chuurnd~a yaha mein: milakara sei eika rasa

Mouni Roy’s Lime-Yellow Saree

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Mouni Roy’s Lime-Yellow Saree is Breath of Fresh Air Among so Many OTT Festive Looks This Diwali

After beginning her Diwali festivities in a black lehenga at Ekta Kapoor‘s house, actor Mouni Roy went for a red saree, a yellow suit and finally a lime-yellow chikan-work saree. Mouni’s go-to festive look shined among her other looks this season. The actor wore an elegant and striking saree by designer Akshi Jogani. The actor went out for Diwali lunch wearing that saree. It was a perfect pick for a day event and Mouni styled it beautifully.
Her pastel colored saree was accompanied by an emerald-Kundan neckpiece and a boat neck blouse. Mouni had her hair tied in a neat bun and added a gajra to her look. Dewy makeup finished her look and Mouni made sure it was a fuss-free look as compared to her other festive looks where she went all out with bling and glamour. Check out Mouni’s Instagram post:

Earlier, Mouni visited Mandira Bedi’s house to exchange Diwali greetings wearing a red-colored saree that had a beautiful border. The actor styled her saree with a statement neckpiece, matching pair of earrings, red lips, smokey eyes and gajra in hair. She posted a few pictures of herself wearing that saree and holding a diya in her hands. Check out her photos here.

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Mouni has been rocking many traditional looks for some time now. She has been on a promotional spree for her latest film Made in China that hit the theatres recently. The actor has been paired with Rajkummar Rao in the film that witnessed a Box Office clash with Akshay Kumar’s Housefull 4 and Taapsee Pannu’s Saand Ki Aankh.

Police: Man who spent night in Palm Beach

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Police: Man who spent night in Palm Beach home he burgled returned next day wearing owner’s clothes

Police on Tuesday arrested a homeless man who they say spent the previous night at a Palm Beach home he had burglarized and returned the following day wearing the homeowner’s clothes.
According to the police report, officers responded to a call from a Brazilian Avenue home that a man identified later as Douglas Lee Macallister, 63, from Syracuse, N.Y., was attempting to force his way inside the residence.
The victim told the officers that he had been watering his plants on the front porch when Macallister approached, walked up the front steps to the porch toward the home’s front door and attempted to walk past the homeowner saying “I’m glad you’re here so I can get into the house,” the police report said.
The victim blocked Macallister’s way into the home and closed the door, according to the report. Fearing for his safety, he retreated into the kitchen and called 911. The victim then observed Macallister attempting to open the back door with a key.
When officers arrived at the home, they saw a man matching Macallister’s description attempting to leave the property and stopped him, the report said. Macallister had three sets of keys wrapped around his wrist with an elastic band, which the victim identified as belonging to his residence.

The victim later said the keys had previously been in a kitchen drawer.

As the victim took a closer look at Macallister, he realized that the clothes he was wearing were all stolen from his master bedroom.

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A can of opened beans with a kitchen utensil were located next to the front living room couch, during a check of the home, the report said.
The victim said he believed he had left the back door to the home unlocked and this could have been how Macallister gained access.
The victim’s loss included the clothes, which were valued at about $475, and upcoming costs to re-key and further inventory his residence.
Macallister later told officers that he had stayed at the residence overnight Monday on the couch, the report said.
The police did not give the homeowner’s whereabouts for Monday night.
Macallister is homeless and has been known to the Palm Beach Police Department since Oct. 16, the report said.
He was arrested on charges of burglary of an unoccupied dwelling and petit theft, and given a Dec. 2 court date.
adelgado@pbdailynews.com
@litadriana

watermelon accessions identifies

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Resequencing of 414 cultivated and wild watermelon accessions identifies selection for fruit quality traits

An improved watermelon reference genome

The genome of watermelon cultivar ‘97103’ was previously assembled using Illumina short reads6. To improve its quality, we assembled the ‘97103’ genome de novo using PacBio long reads, combined with BioNano optical and Hi-C chromatin interaction maps. In total, 20.3 Gb of PacBio sequences were generated with an N50 length of 10.8 kb, covering approximately 47.2× of the watermelon genome. The PacBio assembly had a total size of 359.8 Mb, containing 367 contigs with an N50 size of 2.3 Mb. In total, 410.7 Gb cleaned BioNano optical map data were generated and assembled de novo into BioNano genome maps, which were used to connect PacBio assembled contigs, resulting in 149 scaffolds with an N50 size of 21.9 Mb and a cumulative length of 365.1 Mb.

 Furthermore, approximately 135.2 million cleaned Hi-C reads were generated, of which roughly 92.1 million (68.1%) were uniquely mapped to the assembly, resulting in a final set of approximately 69.5 million valid read pairs that were used to generate contact information (Supplementary Table 1). The Hi-C contact information, combined with previously published genetic maps7,8,9, was used to order and orient the scaffolds into chromosome-scale pseudomolecules. Finally, 31 scaffolds with a total size of 362.7 Mb (99.3% of the assembly) were clustered into 11 chromosomes ranging from 27.1 to 37.9 Mb in length (Extended Data Figs. 1–3).

Comparison with the previous assembly of ‘97103’ suggested high collinearity between the two assemblies (Extended Data Fig. 4). Comprehensive assessment indicated that the quality of this new assembly was high and substantially improved compared to the previous assembly (Supplementary Note, Supplementary Tables 2,3 and Extended Data Figs. 5–7). Approximately 55.55% of the assembly was annotated as repeat sequences, a substantially higher percentage than in the previous assembly (46.60%) (Supplementary Table 4), and 22,596 high-confidence genes were predicted in the assembly (Supplementary Note). This much improved ‘97103’ genome provides a robust reference for watermelon research and genetic improvement.

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Genome variation map and phylogeny of Citrullus species

In total, 414 Citrullus accessions collected in various geographic regions (Fig. 1a) were selected for genome resequencing, including 15 C. colocynthis, 31 C. amarus, 19 C. mucosospermus, 345 C. lanatus (258 cultivars and 87 landraces), two C. rehmii, one C. ecirrhosus and one C. naudinianus accessions (Supplementary Table 5). These accessions were sequenced to an average depth of 14.5× and coverage of 92.2% of the ‘97103’ genome. In total, 19,725,853 SNPs were identified, of which 1,100,803 were located in coding regions, causing 502,028 nonsynonymous mutations, 589,735 synonymous mutations, 1,031 start codon changes and 6,808 stop codon changes. Furthermore, 6,675,290 small indels were identified, of which 56,115 were located in coding regions.

Fig. 1: Phylogenetic relationships and population structure of resequenced accessions from the seven Citrullus species.
a, Geographic distribution of resequenced Citrullus accessions. The diameter of the circle is proportional to the number of accessions, maximized at the size for 100 accessions. The world map was generated using the R package ‘rworldmap’ (v1.3-6, https://cran.r-project.org/web/packages/rworldmap/index.html). b, Neighbor-joining phylogenetic tree of Citrullus accessions and model-based clustering with K from 2 to 4. Colors of branches in the tree indicate different species (matching the colors shown in a). Two C.

lanatus accessions from Sudan located in the deepest branch of the C. lanatus clade are indicated by the arrow. c, Principal component analysis of Citrullus accessions excluding C. naudinianus (left), and of C. mucosospermus and C. lanatus accessions (right). PC1, first principal component; PC2, second principal component. d, Schematic representation of Patterson’s D test of gene flow between Citrullus species. Red arrows represent gene flow between lineages. P values for significant deviations of D from zero are shown near the dots representing D values. The bars represent standard errors. CA, C. amarus; CC, C. colocynthis; CE, C. ecirrhosus; CL_CUL, C. lanatus cultivar; CL_LR, C. lanatus landrace; CM, C. mucosospermus; CN, C. naudinianus.

Phylogenetic relationships between the Citrullus accessions were inferred using 89,914 SNPs at fourfold degenerate sites. The placement of the seven species in the phylogenetic tree (Fig. 1b) was largely consistent with the previously reported phylogeny4,5, with the most morphologically distinct Citrullus species, C. naudinianus, sister to the other six species, followed by C. colocynthis and C. rehmii. However, C. ecirrhosus was sister to C. amarus, C. mucosospermus and C. lanatus, instead of being most closely related to C. amarus, as proposed previously4.

 Two C. lanatus accessions collected in Sudan (PI 481871 and PI 254622) were placed in the deepest branch of the C. lanatus clade (Fig. 1b), supporting the idea that the primitive watermelons from Sudan and neighboring countries of northeastern Africa may be the closest to the progenitor of the sweet watermelon2,5,10. Twelve accessions were clustered into unexpected species groups and were therefore excluded from downstream analyses (Supplementary Table 5).

Some things make you both happy and sad

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“Somebody’s  are there,” Steven said as he clambered out of  back seat. He sounded disappointed.
“Maybe you’ll have some boys and girls to play with,” I said.
“There aren’t any boys and girls,” he whispered. “It’s a gramma.”
We’d made it our goal to visit every park and playground in town that summer, and had been to half of them when we found one that quickly became our favorite. It was in the middle of a quiet neighborhood filled with towering maple trees and had everything we wanted in a park … a jungle gym the perfect size for a 5-year-old, a grassy field for running, a sandbox for digging, and a bench that was perfect for eating our snack. We’d visited the park half a dozen times, and always had it to ourselves. Until today.

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happy and sad 


She was wearing a black cloth coat despite the warmth of the day. Her hands were folded on top of the wooden cane that rested across her lap. She smiled as we approached.
“Beautiful day,” I said. “Do you mind if we join you?”
“That would be nice,” she said, sliding to her right even though she was already at the end of the bench. I sat at the other end and Steven climbed up between us. I pulled a bag of animal crackers out of my backpack and handed it to Steven. He removed the clothespin that held the bag closed and popped a cracker into his mouth.
“What’s your name?”
“Steven,” he said through a mouthful of giraffe.
“My word … that’s my son’s name! How do you spell your name, Steven?”
“That’s how my Steven spells his name. Do you know what your name means?”
Steven looked at me with a “do you?” look. I didn’t.
“It means ‘crown’. Do you know what a crown is?”
“It’s a hat that kings wear.”
She laughed a soft dry laugh. “That’s right! You’re a very smart young man.”
Steven looked at me and beamed, and I beamed back. “Can you say ‘thank you’?”
“Thank you,” he repeated dutifully.
“Do you live around here?” I asked, fumbling to poke the end of the straw through the hole in the top of a juice box.
“The yellow house,” she said, nodding to a tiny house the color of daffodils on the edge of the park. “Sixty years this fall.”
Steven bit the leg off an elephant: “That’s even older than you, Dad!”
“Do you still have family here?” I asked.
“My husband’s been gone for many years. One daughter in Arizona.” She leaned toward Steven, who slurped impolitely from his juice box: “MY Steven lives in California. We used to walk over to this park every day. This was the edge of town back then. The trees were just little twigs. Look at them now …”
Her voice had become a whisper, the fragile sound of dry leaves skittering across pavement. She pulled a Kleenex out of the pocket of her cloth coat, dabbed at her nose and looked out over the playground. I knew she saw her son and daughter running and laughing at the new park on the edge of town.

“Any grandchildren?” I asked.

“Two girls and a boy.”
“Do you get to see them often.”
“Not as often as I’d like.” She adjusted her glasses to give her hands something to do.
“Does that make you sad?” Steven asked. If we’d been sitting behind a table I would have nudged him with my foot, but she gave him a smile that made her eyes sparkle. “Some things make you happy and sad at the same time,” she said. “Have you ever felt like that?”
“Uh-huh. One time I had a goldfish, but he died,” Steven explained. “It made me sad that he died, but I still remember him, and that makes me happy.”
I adjusted my glasses to give my hands something to do.
“You’re a smart young man,” she said again, covering his soft, smooth hand with hers. Steven let her hand rest on his for a moment, then slid it away and reached into a plastic bag decorated with brightly colored balloons and circus bunting.
“Do you want a cookie?” he asked, pulling out a rhinoceros.
She held the cracker with a trembling hand and took a delicate nibble.
“I’m glad I met you, Steven,” she said. “We used to walk over to this park every day …”
“If we come back to the park tomorrow,” Steven asked on the way home, “can we bring two juice boxes?”
I looked in the rearview mirror. In the back seat Steven’s face was beaming. Over his shoulder, in the distance, a small figure in a black cloth coat sat on a park bench.
One hour together had changed them both.
Dan Conradt, a lifelong Mower County resident, lives in Austin with his wife, Carla Johnson.

Josh Gordon’s agent says

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The Seahawks weren’t the only team interested in Josh Gordon. 

The wide receiver’s agent, David Canter, told ProFootballTalk nine different teams showed interest in working out Gordon, though he wouldn’t reveal any of their names.
Gordon, who caught 20 passes for 287 yards and one touchdown in six games, was released from the Patriots off injured reserve after a short stint in New England.

Seattle then claimed him off waivers Friday. 

The 2012 second-round supplemental draft pick out of Baylor was placed on the IR with a knee injury on Oct. 23. It was reported the injury was minor and Gordon hoped to be released by the organization so he could join another team.

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New England recently acquired wide receiver Mohamed Sanu from the Falcons on Oct. 22, so it was becoming obvious Gordon’s time could come to an end pretty soon.
Gordon’s departure marks the third wideout to leave New England this season after the team traded Demaryius Thomas to the Jets in August and cut Antonio Brown in September in wake of sexual misconduct allegations.
Gordon now joins Tyler Lockett and rookie DK Metcalf as top targets for quarterback Russell Wilson in Seattle. Coach Pete Carroll said Gordon won’t have a role in Sunday’s game against the Buccaneers, though, as he gets adjusted to his new team.
“He’s done a lot of good stuff, made a lot of good plays and all that, so we’ll find out more next week,” Carroll said (per ESPN). “He won’t have anything to do with this game.”
The Seahawks (6-2) host the Buccaneers (2-5) Sunday at 4:05 p.m. ET.

WiFi Is Illegal in This American Town

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WiFi Is Illegal in This American Town. (And Yes, People Actually Live There.)

It’s the first of October and Route 92 into town is lined with trees dressed with greens, oranges, and yellows. Autumn is refreshingly crisp and colorful here in Green Bank, West Virginia. The road winds and curves past a convenience store, a school, a library, and a post office. There are no shopping plazas, fast food restaurants, office buildings, or apartment complexes here. There’s also no cell service.
What is here, though, is one of the world’s most important facilities for the understanding of our universe.

Right off of the road and nestled in a valley naturally protected by the Allegheny Mountains is the Green Bank Observatory. It opened in 1958 as the United States’ first national astronomy observatory and remains today a crucial facility in the field of radio astronomy with a number of active telescopes, including the world’s largest steerable radio telescope, the Robert C. Byrd Green Bank Telescope, or GBT.
Over the last six-plus decades, the discoveries made at this observatory have come to define astronomy. Here, telescopes have found black holes, pulsars, radiation belts, and gravitational waves. Just last month, researchers at the GBO uncovered the most massive neutron star ever detected.

Why WIFI USE

Green Bank is also where the serious search for extraterrestrial intelligence (SETI) research was born. In 1960, Frank Drake started Project Ozma here, the first U.S. government-funded attempt to listen for extraterrestrial intelligence. It’s also where he wrote his famed equation about the possibility of worlds other than ours. And SETI work is still ongoing at Green Bank. Earlier this year, one million gigabytes of SETI data collected over the last three years was released to the public, making it the largest trove ever of its kind.

Rain falls on an October morning at the Robert C. Byrd Green Bank Telescope in Green Bank.

Julia Rendleman
All of this has been accomplished simply by listening closely and deeply to the sky above this beautiful, rural town.

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But to do this crucial work, compromises have to be made. “The signals we detect from space are extremely faint,” says Harshal Gupta, the National Science Foundation program officer for the Green Bank Observatory. “A source of close-by, man-made radiofrequency can completely overwhelm these very faint signals from space.” Meaning, any radio frequency interference (RFI) could corrupt that research.
In order to limit RFI, the Federal Communications Commission in 1958 established the National Radio Quiet Zone (NRQZ) covering approximately 13,000 square miles and parts of both Virginia and West Virginia. In the mid-20th century, this meant no radio towers, television antennas, or heavy machinery could be installed unless they met very restrictive guidelines set forth by the FCC (like highly directional antennas and reduced power). It also prohibited private citizens from operating their own radio equipment, like ham radios, within the zone.
An even more strict law was put on the books by the West Virginia Legislature. The state’s Radio Astronomy Zoning Act of 1956 says it’s “illegal to operate or cause to be operated any electrical equipment within a two-mile radius of… any radio astronomy facility.” Similar tight restrictions also applied up to 10 miles from the facility.
Sixty-one years later, both the NRQZ and the Radio Astronomy Zoning Act are still in effect. But we no longer live in the 1950s.
2019 is filled with cell phones, Wi-Fi, satellite television, electronic tire pressure systems, cars with hotspots, smart refrigerators, video doorbells, Bluetooth headphones, app-powered Nikes, and toothbrushes that use wireless technology to give you a better smile. Our modern world is nearly always and completely connected by wireless internet, 4G (and, soon, 5G), and Bluetooth capabilities. These days, it’s all RFI, all the time.
Yet, in Green Bank, all of this is illegal in the name of science and discovery. But is it even possible to keep technological evolution out of this remote West Virginia town?

Dr. Karen O’Neil, GBO’s Site Director

Julia Rendleman
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